From the early days we have the reality shows that have accompanied us through our adolescent years; One million stars, 超級歌喉Extreme vocals, so on and so forth. I remember when this concept of reality singing competitions first began with US reality show American Idol, the point of it was to give amateur singers an opportunity to achieve their dreams and for audiences, that was what they wanted to see. Fresh-faced newbies, full of hope and passion for singing going through rounds of contestation for that chance at a recording contract.
But all of a sudden, it seems the rules of the games have changed. With a whole slew of new reality TV shows coming from China such as The voice of China, 最美和聲The most beautiful harmonies, 我是歌手I Am Singer…and the list goes on, it seems that the main focus of these big-shot TV producers is no longer to give the country bumpkins, underdogs and hidden talents a chance to shine, but more about trying to outdo their competitors by banking on the biggest names in the Chinese music industry to line their judging panels like trophies on a shelf. The voice of china has been graced by the presence of Jay Chou, Na Ying, Harlem Yu and various other industry veterans, not to mention toting at certain points in the season a gaggle of even more well known artists such as A-mei Zhang and Gem Tang. The spotlight, it seems; is no longer on the competitors, but on the judges and their interactions with the competitors and with each other.
Legendary Chinese artist Han Hong’s reality singing competition “最美和聲The most beautiful harmonies” is an even more blatant example of this strategy, with the camera frequently panning back to the singer-director’s face as she sheds a sentimental tear over some competitor’s rendition of one of her own classics. Furthermore, rather than showcasing the talents of their various newcomers, the beginning of each show starts with an ‘open mic’ for judges such as David Tao, Jam Hsiao and Sun Nan, who test the limits of their vocals against each other and whet the appetites of thousands of screaming fans who are no longer sitting in the stands to cheer on their favourite competitor, but to watch on as the star studded cast of judges make salacious digs at each other, crack jokes and ‘bond’ through their mutual passion for music and singing.
And even more ridiculously, these reality singing competitions are so blatantly focused on making money and banking on ‘interactions’ between artists that the competitions that we now see a growing shift of focus from being a platform for unknown and aspiring singers to nothing more than a mere promotional tool for professional singers and their opportunity-seeking record and artist management companies. I find it extremely mind-boggling to see artists who have already released albums and won high-profile competitions competing yet again just to try and make a dent in the China market. Record companies have put two and two together and realized, “hey, why don’t I just get one of my artists to blow away the competition on an amateur-level singing contest like the voice of china?”.
I don’t know about you, but although it may be putting money into the pockets of all involved, it’s just downright unethical to use this big-fish-in-small-pond strategy. Most recently, Sharon Kwan’s rise to media attention through her place on Jay Chou’s team on the latest season of the Voice of China made me more than a little uncomfortable knowing that not only was she the champion of Taiwanese singing competition One Million Stars, but she is also currently a signed artist to David Tao’s record company with original works under her belt. And I also believe it to be no coincidence that within days of leaving the competition, her latest single “不遠的情人A lover not faraway” was released, presumably to ride out her wave of success in the China market before it recedes.
Furthermore, another problem I have with these singing competitions is not just that they are forsaking their initial aim of helping amateur singers to have their voice heard, but also how they dampen the creativity of an industry already in decline. Do you know how many times I’ve heard JJ Lin’s “She Says她說” sang by competitors on a variety of these shows? Countless times. These karaoke hits are touted out time and time again by competitors, both amateur and professional who are all playing it safe with their song choices to get to the next round; usually choosing from a limited selection of golden classic ballads or high-octane rock but rarely somewhere in between. The pros are playing it safe because they know they have a competitive advantage, while the amateurs are playing it safe because they know the playing field is no longer even and they have to match the pros song for song, tooth for tooth to gain a position in the next round. This defensive strategy is all well and good, but it is the worst thing that you could do to a music industry that is struggling to pull its socks up against the competition of Korean and Western music industries.
These shows have a lot of influence and they know it. Millions of views each episode, and fans all across Asia. I once went to a Voice of China concert where I asked the girl next to me who she was rooting for. She replied, “no one, I’m just here to listen to the songs”. The massive fanbase of these singing shows have now cultivated an unhealthy preference in their favourite singers. It’s no longer the ones with the unique and interesting voices, but now even the most plain of singers can reach unimaginable heights if they just pick their songs right. Basically any song that can be considered a classic ballad, such as Wan Fang’s新不了情No new love，A-mei’s記得Remember，or any other high-powered ballad from anytime between the 1970s to the early 2000s is enough to have members of the audience laughing, crying and giving a standing ovation. But songs from 2010 onwards, songs from today are most usually a no-go unless they’re western pop songs.
It’s funny though, because now’s the time when the music industry could really use a little bit of a boost. Revisiting old songs may be bringing back the memories, but they’re certainly not making audiences aware of the interesting variety of music the scene is pumping out. I’m not saying its fantastic, but its definitely getting better. Recycling these old songs time and time again is only going to de-sensitize audiences and make them lose interest in new music, just happy to live in the past with these old songs sung by new people.
Audiences have been brainwashed to see these shows are something completely different than to what the shows were originally conceptualized to be: over-hyped publicized karaoke time with an extra dose of good-natured celebrity interactions that tugs at the ol’ heartstrings. So what I’m trying to say here is, Chinese reality singing competitions as they are now are a despicable money-making scheme, but at the same time are also a medium with a lot of positive potential for the industry; if only they would think of applying it in the right ways, and in the right places.
It's been 8 years since I was introduced to the singer who truly changed my life forever; and whose birthday just so happens to be today-曹格 Gary Chaw. When I first was introduced to C-pop, I thought it was an industry full of teen idols and bubblegum pop-nothing more. But that was until I heard Gary sing, and I remember closing my eyes and thinking to myself; 'How does this music make ME feel?'. The answer at that time was that if I closed my eyes and listened just carefully enough, I could feel like I was flying. Silly, I know, but never would I have thought that because of this amazingly talented and hardworking singer I would have been inspired to continually ask myself the same question everytime I hear a song. His pain and his sorrow outpoured through his music, mixed with his always present unique sense of humour taught me to be strong in the face of all odds, while his initial struggle with the chinese language gave me the motivation that I needed to continue pressing forward no matter what. <寂寞先生> is a song that Gary recalls to be the song that he is most satisfied with, a reflection of his most vulnerable self. But he's come such a long way; having a happy family who he devotes himself to will truly give him the happiness he deserves. I'm so proud of him and so happy that he's finally been able to find happiness, and no matter what obstacles may stand in his way still, I'll be there for him every step of the way. Happy 34th Birthday Gary! May you be happy always!
A song that both he and I love-《寂寞先生》:
Whether or not you're a fan of Jazz Music, I really suggest that you watch this interview of Jazz pianist and composer Martin (Musa) Musaubach. Although its conducted in spanish, there are english subtitles are is really eye-opening! I have never seen an artist who connects his music so closely to who he is, and where he comes from. Each and every one of his songs from his jazz album <3690> has a story behind it, linking to the people who he loves, the people who inspire him, and through all these stories about his childhood and adolescent years; we see who Musa is through his music.
He also talks about what he aims for in his music, and the way that he uses his music to interact with the audience(very few Jazz musicians do!). But its not all Jazz. Musa also incorporates childhood influences such as Rock n Roll and Blues within his music, and explains how all these come together in his music.
Music lovers alike; a must watch! Not only is Musa amazingly talented,but I find that he has extremely heightened sensitivities towards the concept of music itself and also what he wants to get from his music. Musa 加油！
P.s: You might be wondering; what does this have anything to do with chinese music? Musa is currently based in Taiwan, and has played with the likes of Lara Veronin and Gary Chaw, featuring most prominently in Gary Chaw's <Project Sensation> Jazz album.
Amidst all the gossip within the chinese music industry, Gary seems to be the most popular target and has previously been labelled by the media as the resident bad boy, especially due to his brawl with friend Justin Lo a few years back, and also with his drunken outburst at the riverside bar and café earlier this year. But Gary has been my idol since I first started listening to chinese music 7 years ago, and I’m not about to give up on him just yet. Throughout the ups and downs, I applaud Gary for his honesty throughout the years.
After the infamous brawl, Gary did not shy away from it, but instead took the situation head on and explained himself in a press conference almost immediately after it hit the news. Gary has always had an honest relationship with his fans as I see it, and has always been the first one to apologise when he knows he is in the wrong.
One of my favourite quotes from his song <your song>(你的歌) sums up how honest he is nicely: “别对我有太多的期望，但也不要低谷我” Translating to “don’t have too many expectations for me,but also don’t look down on me”, and his sensitive honesty has won him many a fan in the years past.
Chaw even reflects his honesty through his music 100%; although some albums may have been better than others, I appreciate and can feel the heart and soul that he put into each of his songs, with earnestness and the pure intention of making others happy. I can never say that I’ve ever heard a song by him that didn’t touch me in one way or another; they don’t call him <悲歌王 > for nothing. Each of his songs is an honest, unabashed reflection and collection of his life stories; each one of them full of purely human emotion. Gary reminds his fans that he is human just like everyone else and he does this through his music too, reflecting on crippling loneliness, sadness, love and life all with his ability to reflect on the human psyche.
His honesty influences my life everyday, in every single way. Because of him, I learnt to be honest not only with others, but with myself. I learnt to face situations head-on when I would have otherwise cowered and ran from it. Despite his bad habits, Gary is still the artist who inspires me most of all; his stories, his music and his words have given me so much encouragement and strength in my daily endeavours. Gary may have his demons, those past and present, but I believe it is his attitude pertaining to honesty which has got him this far and will continue to be the foundation of his success in the future.
Instead of the typical biography style-stuff that everyone pushes out about these artists, I would just like to give my opinion within this series of posts on why these are some of my favourite artists on the music scene, in terms of their personality, their voice, and their musical ability. Hopefully it helps people to understand more about these artists, and how each and every one of them has their own niche that makes them unique in their own way. Some of these artists may be veterans in the business, and I’m doing this to remind fans and listeners alike of their unique abilities.
Some of the short articles I will be doing/will be coming up shortly are:
-wang leehom: The heart wants what the heart wants
-elva Hsiao: Sugar and Spice
-anthony neely: The sniper
-Yen-J: Killing me softly with his creativity
-Gary Chaw: Honesty is the best policy
-David Tao: Golden Boy
-Hebe : The Dark Horse
-William Wei: The nice guy
-Genie Zhuo: not your average sweetie pie
-Rachel liang: Consistency is key
These are in no particular order, but I hope you enjoy these little introductions that I'll be providing for these artists! Stay tuned, as the first in this series will be coming out very soon!