By Jocelle Koh
Design by Allison Sun
My first encounter with Eurasian singer-songwriter James Yang’s music was back in 2014. At that point in time, he was signed with H.I.M, and released a debut cover album titled “Stay”. Enamoured after chancing upon a clip of him performing an acoustic version of Eason Chan’s ‘好久不見 Long Time No See’, I pounced onto the album, only to find that it wasn’t as chock-full of his self-penned works as I had hoped. Yet, a single demo track at the end of the record simply titled ‘Clarity’ caught my ear; revealing a glimmer of undiscovered brilliance. That thought; and the lasting impression the Englishman’s gruff, soulful vocals had left on me remained embedded in my memory, lost but not forgotten until the announcement of a second bilingual album four years later.
Titled “Lost and Found”, the album’s name has multiple facets of meaning for the brooding artist, which is understandable given how meaningful this long-awaited release is to James. Not only was the title derived from outro lyrics on “Hold On”; a track written by James for his grandfather; the name just seems fitting given the artist’s past experiences.
“There are many themes in the album, many of which overlap and interlink: the sea, the colour red, moving forward despite adversity, and understanding that our past helps to define our present and future, but one major concept is the idea of being oneself – Lost & Found is the first time I’ve been able to be myself on an album – the amount of creative input I’ve been given is quite surprising, not solely in terms of music, but also album design, track listings, personal styling, and the album title. Prior to signing with my current company, Cros Music, I had been pushed in directions I was not comfortable with, and that felt like a period of being lost. Creating Lost & Found with Cros feels like getting back on track: being myself, showing my own songs and personality.”