Interview with GorDoN國蛋 a.k.a Dr. Paper: From Taipei to NYC-Documenting His Cross-Cultural Experiences Through Rap
Compared with prolific Taiwanese rappers, GorDoN aka Dr. Paper’s laidback fare of hip hop music is often rather more suitable for bedtime tunes than the usual pumped up hip hop we’re used to. However, listen closely to his words and you will find his lyrics crammed with well-crafted anecdotes that often refer to his experiences living and breathing within a cross cultural context. Entering the scene in 2006 as part of the Bamboo Gang, he signed with KAO!INC. in 2007, establishing his career as a rapper and hip hop artist in Taiwan before moving to New York to pursue further study in 2013, before returning to Taiwan in 2015. This international move has since proved momentous towards GorDoN’s musical works, inspiring the release of three mixtapes in which he compares everything from daily life to the government’s policies in his various tracks. Interested to know more, we went deep in asking GorDoN about his motivations and goals in taking on such an angle within his music.
1. If you were to sum up your music for international audiences, how would you introduce yourself and your music?
I am GorDoN aka Dr. Paper, my music is mostly hip hop inspired by my life, as well as big and little things that happen in the place I live. I like using music to start conversations, to talk to myself, and to converse with other people's ideas.
2. For beginners, what do you think is the key to appreciation of good rap music?
I think being in the moment is the most important, no matter whether we're talking about the person making the music or listening, if you listened to rap or hip hop music but were unable to indulge in the moment, that takes away a very big part of the fun.
3. I heard that your latest mixtape ‘Dr. Paper Vol.3 Sunday Night Slow Jams’ was very much influenced by your time living in New York. Can you tell us a little about it?
Actually from Vol.2 -Blue Dream until GDNE, and now until Sunday Night Slow Jam, during this time I was living in New York, so a lot of these works were full of the colour of New York living. Sunday Night Slow Jam just so happened to begin production in the three months leading up to my decision to leave New York and return to Taiwan. Half of it was finished in New York and the other half in Taipei, during that time it just so happened to be a turning point in my life, and when I was producing this I did it with the motivation of creating a piece of work that commemorated the end of my time in New York.