Interview with Yen-J 嚴爵 - Thanks for your greatness (Pt. 1): Looking back on a Decade of innovative Work in Mandopop
As a longtime Mandopop enthusiast, it’s not always easy keeping track of everything that’s happening on the scene. Yet creative wunderkind Yen-j has always been a constant on my playlists, ever since his debut as a fresh-faced 22 year-old in 2010.
Upon learning of this new artist whom I shared a birthday with, I instinctively dove headfirst into his first album ‘Thanks for your Greatness謝謝你的美好’, and emerged with an entirely new worldview on the possibilities that existed for the Mandarin pop scene. Debuting with a fresh new sound that focused on unearthing a different side to mainstream Jazz and mixing it with elements of pop, Yen-J certainly made a splash with his first album, rendering it an instant classic. (I even have a theory that the success of his release inspired the resurgence of Jazz-inspired pop music within Taiwan in the few years that followed, but that’s for another article.)
Despite getting his start as a Jazz-pop artist, the affable singer-songwriter was determined not to allow himself to be defined by any one genre; instead relentlessly pursuing a plethora of different sounds throughout his seven-album discography. Be it Jazz, Pop, Hip Hop, Folk, Rock, R&B, EDM, or Gospel, Yen-J has expressed his voracious appetite for creating music through his willingness to experiment.